2025 Season
Pageant Pending: Reunions Encore
Princeton Triangle Club - Sound Designer
Directed by Sam Hay | Book by The Princeton Triangle Club Writers Workshop
Responsible for the sound design and team management of 2 performances at the Matthews Theatre in Princeton, NJ. Provided reinforcement for 20 actors and 16 band musicians. Equipment included 24 Sennheiser wireless RF and 15 Aviom personal monitoring systems. Focus was on mentoring new A1, as only mild changes to design were made from November version of production.
Sound design adapted from John Wallar.
Foibles and Fables: Songs of Magic and Memory
Princeton Lewis Center for the Arts - A2, Monitor Engineer
Directed by Solon Snider Sway, Aaron Landsman
Responsible for the monitor mix of 18 band members, utilizing 6 IEMs and 1 foldback QSC speaker, through 1 performance at the Berlind Theatre in Princeton, NJ. Collaborated with A1 to ensure a smooth performance with no issues, including management and testing of wireless handhelds and monitors.
Sound design by Kay Richardson; photo provided by Princeton University Communications.
Macbeth In Stride
A1 - Princeton Lewis Center for the Arts
Directed by Layla Williams | Book by Whitney White
Managed the live mix of 5 actors and 4 band musicians (keys, drums, guitar, bass) for 5 performances at the Berlind Theatre in Princeton, NJ. Used the Yamaha DM7 with theater extension.
Sound design by Nathan Leigh; photo by set designer Sahaf Chowdhury.
Pageant Pending: Tour Edition
A1, Asst. Sound Designer - Princeton Triangle Club
Directed by Sam Hay | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 20 actors and 15 band musicians through 6 venues and performances across the Midwestern, Southern, and Eastern US. Displayed rapid troubleshooting skills and adaptability, collaborating with sound designer to fit PA system to each new location. Utilized the Yamaha CL3 console. Gained experience with RF coordination for Sennheiser wireless.
Sound design by John Wallar.
2024 Season
Pageant Pending
Princeton Triangle Club - A1, Asst. Sound Designer
Directed by Sam Hay | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 20 actors and 16 band musicians through 3 performances at the Matthews Theatre in Princeton, NJ. Utilized the Yamaha DM7 console with theater extension; 24 wireless RF (MKE2 lavaliers, Sennheiser body packs) and QLab for playback.
Sound design by John Wallar; photo by Frank Wojciechowski.
A Thread of Golden Ashes
Princeton Lewis Center for the Arts - Sound Designer
Directed by Wasif Sami | Book by Le’Naya Wilkerson
Designed and composed a number of effects and background music for this play, which saw 3 performances at the Wallace Theatre in Princeton, NJ. Music was composed using Musescore 4; cues were run using QLab 4.
Ship Happens, A Crussical: Reunions Encore
Princeton Triangle Club - A1, Asst. Sound Designer
Directed by Marc Tumminelli | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 20 actors through 2 performances at the Matthews Theatre in Princeton, NJ. Utilized Yamaha CL5 console; 24 wireless RF (Sennheiser); QLab for playback.
Sound design by John Wallar.
Anon(ymous)
A1 - Princeton Lewis Center for the Arts
Directed by Bi Jean Ngo | Book by Naomi Iizuka
Managed the live mix of 10 actors through 5 performances at the Berlind Theatre in Princeton, NJ Utilized Midas Pro2 console; 10 wireless RF (MKE2 lavaliers, Shure body packs); QLab for playback.
Sound design by Nathan Leigh; photo provided by Princeton University Communications.
Too Little, 2-8
A1, Asst. Sound Designer - Princeton Triangle Club
Directed by Hans Kriefell | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 32 actors through 2 performances at the Matthews Theatre in Princeton, NJ Utilized Digico SD9T console; 36 wireless RF (24 Sennheiser, 12 Shure); QLab for playback.
Sound design by John Wallar.
Apertures
Princeton Lewis Center for the Arts - A1
Choreographed by Mei Geller and Jasmine Rivers
Managed the live mix of a small 5-person band and ran QLab for projections and sound for this dance thesis, which saw 3 performances at the Hearst Theatre in Princeton, NJ. Mixed off of an iPad connected to a Yamaha CL1 console.
Sound editing by Vince di Mura; photo provided by Princeton University Communications.
Paivapo ‘76
A1 - Princeton Lewis Center for the Arts
Directed by Sabina Jafri | Book by Tanaka Dunbar Ngwara
Managed the live mix of 11 actors through 3 performances at the Wallace Theatre in Princeton, NJ Utilized Yamaha CL3 console; 11 wireless RF (MKE2 lavaliers, Shure body packs); QLab for playback.
Sound design by Dominic Dominguez; photo provided by Princeton University Communications.
From Wind to Wonder!
Princeton Lewis Center for the Arts - A2, Monitor Engineer
Directed by Solon Snider Sway
Responsible for the monitor mix of 10+ band members, including musical cover band Third Reprise, through 1 performance at the Berlind Theatre in Princeton, NJ. Collaborated with A1 to ensure a smooth performance with no issues, including management and testing of wireless handhelds and monitors.
Photo provided by Princeton University Communications.
She Loves Me
A2 - Princeton Lewis Center for the Arts
Directed by Alison Silldorff and Faith Wangermann |
Book by Joe Masteroff
Provided support across 4 performances of this musical involving 11 cast members and 16 band members. Responsible for placing microphones on all actors, assisting with daily line check, and troubleshooting of wireless mics and band setup.
Sound design by Nathan Leigh; photo provided by Princeton University Communications.
Ship Happens, A Crussical: Tour Edition
A1, Asst. Sound Designer - Princeton Triangle Club
Directed by Marc Tumminelli | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 20 actors and 15 band musicians through 6 venues and performances across the Southern and Eastern US. Displayed rapid troubleshooting skills and adaptability, collaborating with sound designer to fit PA system to each new location. Utilized the Yamaha CL5 console. Gained experience with RF coordination for Sennheiser wireless.
2023 Season
Christmastown
Princeton Lewis Center for the Arts - Sound Designer, A1
Directed and Written by Sydney Hwang
Managed the live mix of 8 actors through 3 staged readings of this new musical, performed in the Drapkin Studio in Princeton, NJ. Utilized 12-channel analog console and Sennheiser wireless.
Photo provided by Princeton University Communications.
All Underdogs Go 2-7
Princeton Triangle Club - A2, Asst. Sound Designer
Directed by Hans Kriefell | Book by The Princeton Triangle Club Writers Workshop
Supported the A1 through 2 performances at the Matthews Theatre, working with over 40 cast members and 15 band members. Responsible for placing mics on actors, as well as 10+ mic swaps during the show as there were not enough mics to give one to each actor.
Sound design by John Wallar; photo by Emily Yang.
Cocaine Blair
Princeton Triangle Club - Sound Designer
Directed by Daniel Drake | Book by The Princeton Triangle Club Writers Workshop
Developed a number of sound effects, including live voiceovers, for this musical, which saw 4 performances in Whitman Theatre in Princeton, NJ. Utilized Audacity for editing and playback.
Ship Happens: A Crussical
A1, Asst. Sound Designer - Princeton Triangle Club
Directed by Marc Tumminelli | Book by The Princeton Triangle Club Writers Workshop
Managed the live mix of 20 actors through 3 performances at the Matthews Theatre in Princeton, NJ Utilized Yamaha CL3 console; 24 wireless RF (Sennheiser); QLab for playback.
Sound design by John Wallar.
Campelot: Reunions Encore
A2, Asst. Sound Designer - Princeton Triangle Club
Directed by Rachel Dart | Book by The Princeton Triangle Club Writers Workshop
Supported the A1 through 2 performances at the Matthews Theatre, working with 22 cast members and 15 band members. Responsible for placing mics on actors, debugging issues with lavs and RF interference, and maintenance of equipment each night.
Sound design and photo by John Wallar.
Three Loves
Sound Designer, A1 - Princeton Lewis Center for the Arts
Directed and Written by Halle Mitchell
Managed the live mix of 5 actors through 3 performances at the Drapkin Studio in Princeton, NJ, and developed a handful of sound effects. Utilized 12-channel analog console; 6 wireless RF (Sennheiser); QLab for playback.
Photo provided by Princeton University Communications.
Campelot: Tour Edition
Princeton Triangle Club - A2, Asst. Sound Designer
Directed by Rachel Dart | Book by The Princeton Triangle Club Writers Workshop
Supported A1 through 6 venues and performances of this musical across the northern US, stretching from Chicago to Boston. Responsible for load-in and strike of RF equipment; placement of mics on actors; and troubleshooting of mics and communications systems. Developed rapid debugging skills in high-pressure situations, adapting to the challenges of each venue.
Sound design by Katherine Graham; photo provided by John Wallar.
2022 Season
Freshman One-Act Festival
Princeton Theatre Intime - Sound Designer
Directed by Robert Mohan, Elena Milliken, Jazmin Morales, Julia Shin, Daniel Yu, and Alexandra Bertilsson
Developed sound effects for a set of 4 one-act plays, which saw 3 performances at Intime Theatre in Princeton, NJ. Utilized Audacity and QLab for editing and playback. Was responsible for running cues during rehearsals and performances.
Campelot
Run Crew - Princeton Triangle Club
Directed by Rachel Dart | Book by The Princeton Triangle Club Writers Workshop
Responsible for running sound cues and shadowing A1/sound designer through 3 performances of this musical. Developed familiarity with QLab and communications systems; gained valuable experience with teamwork and communication skills.
Sound design by Katherine Graham.